Joan Crawford

About Joan Crawford

Who is it?: actress, soundtrack, writer
Birth Day: March 23, 1906
Birth Place: USA
Birth Sign: Aries
Birth Name: Lucille Fay LeSueur
Nick Names: Billie CassinCranberryBillie
Height: 5' 3" (1.6 m)

Joan Crawford Net Worth

Joan Crawford was born Lucille Fay LeSueur on March 23, 1905, in San Antonio, Texas, to Anna Belle (Johnson) and Thomas E. LeSueur, a laundry laborer. By the time she was born, her parents had separated, and by the time she was a teenager, she'd had three stepfathers.
Joan Crawford is a member of Actress

💰Joan Crawford Net worth and Salary

Lady of the Night (1925) $75 .00 per week
Montana Moon (1930) $1,000 per week
Laughing Sinners (1931) $3,000 .00 per week
This Modern Age (1931) $3,500 .00 per week
Grand Hotel (1932) $3,500 .00 per week
Rain (1932) $4,000 .00 per week
Dancing Lady (1933) $5,000 .00 per week
No More Ladies (1935) $7,500 .00 per week
I Live My Life (1935) $7,500 .00 per week
The Gorgeous Hussy (1936) $8,500 .00 per week
Love on the Run (1936) $8,500 .00 per week
The Bride Wore Red (1937) $9,500 .00 per week
They All Kissed the Bride (1942) $330,000
Mildred Pierce (1945) $167,000
Humoresque (1946) $167,000
Humoresque (1946) $500,000
Possessed (1947) $167,000
Goodbye, My Fancy (1951) $3,205 .13 per week
This Woman Is Dangerous (1952) $3,205 .13 per week
Sudden Fear (1952) 40% of profits
Torch Song (1953) $125,000 (paid in 83 installments for tax purposes)
The Story of Esther Costello (1957) $200,000
The Best of Everything (1959) $65,000
What Ever Happened to Baby Jane? (1962) $30,000 + 15% of the net profits
Strait-Jacket (1964) $50,000 + % of profits
Strait-Jacket (1964) $50,000 + 40% of profits
Hush...Hush, Sweet Charlotte (1964) $50,000 + 25% in profits + $5,000 in living expenses
I Saw What You Did (1965) $50,000
Night Gallery (The Cemetery/Eyes/The Escape Route) (1969) $50,000
Trog (1970) $50,000 (estimated)
The Sixth Sense (1972) $2,500

Joan Crawford was born Lucille Fay LeSueur on March 23, 1905, in San Antonio, Texas, to Anna Belle (Johnson) and Thomas E. LeSueur, a laundry laborer. By the time she was born, her parents had separated, and by the time she was a teenager, she'd had three stepfathers. It wasn't an easy life; Crawford worked a variety of menial jobs. She was a good dancer, though, and -- perhaps seeing dance as her ticket to a career in show business -- she entered several contests, one of which landed her a spot in a chorus line. Before long, she was dancing in big Midwestern and East Coast cities. After almost two years, she packed her bags and moved to Hollywood. Crawford was determined to succeed, and shortly after arriving she got her first bit part, as a showgirl in Pretty Ladies (1925).

Three films quickly followed; although the roles weren't much to speak of, she continued toiling. Throughout 1927 and early 1928, she was cast in small parts, but that ended with the role of Diana Medford in Our Dancing Daughters (1928), which elevated her to star status. Crawford had cleared the first big hurdle; now came the second, in the form of talkies. Many stars of the silents saw their careers evaporate, either because their voices weren't particularly pleasant or because their voices, pleasing enough, didn't match the public's expectations (for example, some fans felt that John Gilbert's tenor didn't quite match his very masculine persona). But Crawford wasn't felled by sound. Her first talkie, Untamed (1929), was a success. As the 1930s progressed, Crawford became one of the biggest stars at MGM. She was in top form in films such as Grand Hotel (1932), Sadie McKee (1934), No More Ladies (1935), and Love on the Run (1936); movie patrons were enthralled, and studio executives were satisfied.

By the early 1940s, MGM was no longer giving her plum roles; newcomers had arrived in Hollywood, and the public wanted to see them. Crawford left MGM for rival Warner Bros., and in 1945 she landed the role of a lifetime. Mildred Pierce (1945) gave her an opportunity to show her range as an actress, and her performance as a woman driven to give her daughter everything garnered Crawford her first, and only, Oscar for Best Actress. The following year she appeared with John Garfield in the well-received Humoresque (1946). In 1947, she appeared as Louise Graham in Possessed (1947); again she was nominated for a Best Actress from the Academy, but she lost to Loretta Young in The Farmer's Daughter (1947). Crawford continued to choose her roles carefully, and in 1952 she was nominated for a third time, for her depiction of Myra Hudson in Sudden Fear (1952). This time the coveted Oscar went to Shirley Booth, for Come Back, Little Sheba (1952). Crawford's career slowed after that; she appeared in minor roles until 1962, when she and Bette Davis co-starred in Dieu Gi Da Xay Ra Voi Baby Jane? (1962). Their longstanding rivalry may have helped fuel their phenomenally vitriolic and well-received performances. (Earlier in their careers, Davis said of Crawford, "She's slept with every male star at MGM except Lassie," and Crawford said of Davis, "I don't hate [her] even though the press wants me to. I resent her. I don't see how she built a career out of a set of mannerisms instead of real acting ability. Take away the pop eyes, the cigarette, and those funny clipped words, and what have you got? She's phony, but I guess the public really likes that".)

Crawford's final appearance on the silver screen was in a flop called Trog (1970). Turning to vodka more and more, she was hardly seen afterward. On May 10, 1977, Joan died of cancer in New York City. She was 72 years old. She had disinherited her adopted daughter Christina and son Christopher; the former wrote a tell-all book called "Mommie Dearest", published in 1978. The book cast Crawford in a negative light and was cause for much debate, particularly among her friends and acquaintances, including Douglas Fairbanks Jr., Crawford's first husband. (In 1981, Faye Dunaway starred in Mommie Dearest (1981) which did well at the box office.) Crawford is interred in the same mausoleum as fellow MGM star Judy Garland, in Ferncliff Cemetery in Hartsdale, New York.