Diogenes Of Sinope

About Diogenes Of Sinope

Who is it?: Philosopher
Birth Place: Sinop, Turkey, Greek
Died On: 323 BC (aged about 89)\nCorinth
Era: Ancient philosophy
Region: Western philosophy
School: Greek philosophy, Cynicism
Main interests: Asceticism, Cynicism
Notable ideas: Cynic philosophy Solvitur ambulando

Diogenes Of Sinope Net Worth

Diogenes Of Sinope was born in Sinop, Turkey, Greek, is Philosopher. Diogenes was a commendable Greek philosopher and one of the founders of the Cynic philosophy from Sinope. He is also remembered as “Diogenes of Sinope” or simply Diogenes. He was the only person to be the pupil of Antisthenes. Being an alleged student of Antisthenes, he maintained his teacher’s asceticism and emphasis on ethics but carried out these philosophical positions with dynamism and sense of humor unique in the history of philosophy. He was among the very few men to openly mock “Alexander the Great” and live. At one time, he cleverly ashamed Plato and looked upon Antisthenes as the true beneficiary of Socrates. Diogenes illustrated his philosophy of Cynicism to Crates who taught it to Zeno of Citium who further forwarded it into the school of Stoicism which was amongst the most enduring Greek philosophy schools. All his life, he was surrounded by controversies. Diogenes was thrown out of his native place for damaging the currency. He then moved to Athens and struggled for livelihood. However, despite being poor and not well-off, Diogenes was much talked about, thanks to his proactive behavior and philosophical stunts. He was usually involved in an argument with Plato. After being hooked by the pirates and sold into slavery, he, by the course of time, settled in Corinth. Diogenes was also a loyal admirer of Hercules. The entire life of Diogenes was an adamant campaign to debunk social values and institutions of what he examined as a society full of corruption. The belief of Diogenes was that the virtue was excellently exposed in action than in theory. All his writings were destroyed by time, but the details of his life is taken from the forms of anecdotes, specifically from Diogenes Laërtius’s book “Lives and Opinions of Eminent Philosophers.”
Diogenes Of Sinope is a member of Philosophers

💰 Net worth: Under Review

Some Diogenes Of Sinope images

Famous Quotes:

A report that Philip II of Macedon was marching on the town had thrown all Corinth into a bustle; one was furbishing his arms, another wheeling stones, a third patching the wall, a fourth strengthening a battlement, every one making himself useful somehow or other. Diogenes having nothing to do – of course no one thought of giving him a job – was moved by the sight to gather up his philosopher's cloak and begin rolling his tub energetically up and down the Craneum; an acquaintance asked for the reason, and got the explanation: "I do not want to be thought the only idler in such a busy multitude; I am rolling my tub to be like the rest."



Diogenes is referred to in Anton Chekhov's story "Ward No. 6"; william Blake's The Marriage of Heaven and Hell; François Rabelais' Gargantua and Pantagruel; Goethe's poem Genialisch Treiben; as well as in the first sentence of Søren Kierkegaard's novelistic treatise Repetition. The story of Diogenes and the lamp is referenced by the character Foma Fomitch in Fyodor Dostoevsky's "The Friend of the Family" as well as "The Idiot". In Cervantes' short story "The Man of Glass" ("El licenciado Vidriera"), part of the Novelas Ejemplares collection, the (anti-)hero unaccountably begins to channel Diogenes in a string of tart chreiai once he becomes convinced that he is made of glass. Diogenes gives his own life and opinions in Christoph Martin Wieland's novel Socrates Mainomenos (1770; English translation Socrates Out of His Senses, 1771). Diogenes is the primary model for the Philosopher Didactylos in Terry Pratchett's Small Gods. He is mimicked by a beggar-spy in Jacqueline Carey's Kushiel's Scion and paid tribute to with a costume in a party by the main character in its sequel, Kushiel's Justice. The character Lucy Snowe in Charlotte Brontë's novel Villette is given the nickname Diogenes. Diogenes also features in Part Four of Elizabeth Smart's By Grand Central Station I Sat Down and Wept. He is a figure in Seamus Heaney's The Haw Lantern. In Christopher Moore's Lamb: The Gospel According to Biff, Christ's Childhood Pal, one of Jesus' apostles is a devotee of Diogenes, complete with his own pack of dogs which he refers to as his own disciples. His story opens the first chapter of Dolly Freed's 1978 book Possum Living. The dog that Paul Dombey befriends in Charles Dickens' Dombey and Son is called Diogenes. Alexander's meeting with Diogenes is portrayed in Valerio Manfredi's (Alexander Trilogy) "The Ends of the Earth". william S. Burroughs has been described as "Diogenes with a knife and gun"


The philosopher's name was adopted by the fictional Diogenes Club, an organization that Sherlock Holmes' brother Mycroft Holmes belongs to in the story "The Greek Interpreter" by Sir Arthur Conan Doyle. It is called such as its members are educated, yet untalkative and have a dislike of socialising, much like the Philosopher himself. The group is the focus of a number of Holmes pastiches by Kim Newman. In the Rodgers and Hart musical The Boys From Syracuse (1938), the song Oh Diogenes!—which extols the philosopher's virtues—contains the lyrics "there was an old zany/ who lived in a tub;/ he had so many flea-bites / he didn't know where to rub."


In The Adventures of Nero album Het Zeespook (1948) Nero meets a character who claims to be Diogenes. Two scenes in the comic depict famous anecdotes of Diogenes' life, namely the moment when he was looking for a human and the moment when he asked Alexander to get out of his sun. He is also portrayed living in a barrel.


Diogenes is discussed in a 1983 book by German Philosopher Peter Sloterdijk (English language publication in 1987).


In Sloterdijk's Critique of Cynical Reason, Diogenes is used as an Example of Sloterdijk's idea of the "kynical" – in which personal degradation is used for purposes of community comment or censure. Calling the practice of this tactic "kynismos", Sloterdijk theorizes that the kynical actor actually embodies the message he is trying to convey and that the kynical actor's goal is typically a false regression that mocks authority – especially authority that the kynical actor considers corrupt, suspect or unworthy.