Eugen Suchoň

About Eugen Suchoň

Who is it?: Composer
Birth Day: September 19, 1925
Died On: August 5, 1993
Birth Sign: Libra

Eugen Suchoň Net Worth

Eugen Suchoň was born on September 19, 1925, is Composer. Eugen Suchoň was a Slovak composer; he was one of the most celebrated musicians of the 20th century. For many years, he served as the father-figure of Slovak music, remaining true to his national heritage and Slovak culture, while seeking his own individual expression through his music. Born into a musical family, he got his first piano lessons from his mother and was destined to earn a name for himself in the musical industry. With sheer commitment, Eugen rose to become a prominent figure in the field of culture, often holding important posts, and being invited to participate in expert committees. His life spanned the period from the end of the Habsburg Empire through the creation of Czechoslovakia and then the establishment of an independent Slovakia. He composed and initiated the birth of works on classical harmony, and conducted scientific research on the principles of modern harmony with respect to the use of modality. Apart from being an artist, he was an equally determined teacher who expressed his educational principles through his theoretical work and compositions. While many creative artists remain ever interested in the promotion of their own works, his concern was always for the success and well-being of others, most of all, his many students. He was a gifted composer who influenced many future generations of Slovak musicians through his monumental compositions and has an unprecedented place in the history of Slovak music.
Eugen Suchoň is a member of Musicians

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Eugen Suchoň was born on September 25, 1908 in Pezinok, (Slovakia). His father, Ladislav Suchoň, was an organist and Teacher. His mother, Serafína Suchoňová, was a piano Teacher, and it was from her that he received his first piano tuition. The house was always filled with music and, as a small child, he would Listen from under the piano when his father rehearsed at home with other Musicians. In 1920, at the age of twelve, he started taking piano lessons at the Bratislava School of Music with the distinguished musician Frico Kafenda. Later, from 1927 to 1931, he continued his studies with the same Teacher at the newly established Academy of Music in Bratislava. His early works include several piano compositions and a choral work Veľky Pôst (The Great Fast). He graduated from his composition classes with the Sonata in A-flat for Violin and Piano and a String Quartet (op. 2, 1931, revised 1939). His two-year studies at the Prague Conservatoire under Vítězslav Novák set the seal on the thorough training he had received from Kafenda.


Compositions from this period include a Piano Quartet (1933), and the song cycle Nox et solitudo for mezzo-soprano and small orchestra or piano (1932) based on a poem by Ivan Krasko, Little Suite with Passacaglia for piano (1930, orchestrated in 1967), Serenade for Brass Quintet and the Burlesque for Violin and Orchestra. All these works show an already distinguished and mature Composer. During this time Eugen Suchoň taught music theory at the Academy of Music and Drama in Bratislava (1933). His works from this period are in a late Romantic idiom with elements of folk modality combined with chromaticism. In particular the popular male choral cycle O horách ("Of mountains") was a seminal work which established a Slovak national style. This was followed by his monumental cantata, The Psalm of the Sub-Carpathian Land (1938). Many folksong arrangements date from this period, which culminated in his opera Krútňava (The Whirlpool, 1949).


The success of Krútňava established modern Slovak opera, and drew international attention. From 1948 to 1960 Suchoň was professor and head of the Department of Music Education at the Teacher Training College in Bratislava. Works from this period include the Fantasies for Violin and Orchestra, Metamorphoses for piano, and the Symphonic Suite for grand orchestra. Suchoň became heavily involved in the practical and theoretical aspects of music education. Of particular significance was his second opera Kraľ Svätopluk ("King Svätopluk"), completed in 1959. This historic opera represents the monumental dramatic fresco from the period of the Great Moravian Empire. It is a large-scale work with noble aspirations, displaying Slavic motifs and culminating in the victory of good over evil. The work was premiered in Bratislava in 1960, and performed the same year in Prague and Košice.


From 1959 to 1974 he was professor of music theory at Bratislava University. His style changed as he incorporated serialism into his compositions. Harmonies emphasizing 2nds, 4ths and 7ths led to polymodality. His later output consists predominantly of chamber and orchestral works, e. g., the song cycle Ad astra (1961), based on poems by Štefan Žáry, the mixed choir cycle O človeku ("On Man"), the Poème macabre for violin and piano, Contemplations for narrator and piano, Six Compositions for Strings, the Rhapsodic Suite for piano and orchestra and the Symfonická fantasia na BACH (1971). His piano cycle Kaleidoscope also exists in a version for piano, string orchestra and percussion. His last works include a Concertino for Clarinet and Orchestra, Elegy, Toccata, and the song cycles Glimpse into the Unknown and Three Songs for Bass.