Marcel has played minor roles in television series such as The Bill, Holby City, and Casualty. She had a largely non-speaking role as Young Vera in the 1994 television film adaptation of A Dark-Adapted Eye.
While working at the video shop, she wrote a script for a TV show called Gondwanaland Highway. She wrote it for her dad, who had been telling her about the supercontinent Gondwanaland and reading a Stephen Hawking book on time travel. Marcel, who had just seen Al Gore's 2006 global warming documentary An Inconvenient Truth, combined these three influences into the script. Gondwanaland Highway was almost picked up by Carnival Films, the UK production company behind Downton Abbey, when Producer Aaron Kaplan persuaded Marcel to bring the show to America instead.
Marcel eventually quit acting to pursue writing, while working part-time in Prime Time Video, a video rental shop in Battersea, London. Around the corner from the video shop was the Latchmere pub, where Tom Hardy hosted an acting workshop. Marcel and Hardy became friends, and he subsequently brought Marcel in to do uncredited rewrites on his 2008 film Bronson, directed by Nicolas Winding Refn, after it ran into trouble. One of Hardy's tattoos says 'Skribe' in tribute to Marcel.
After her two-week trip to Los Angeles and her decision not to continue working on Terra Nova, Marcel return to the London video shop. She was approached by Ruby Films' Alison Owen to work on a project about Mary Poppins author P. L. Travers and her relationship with Walt Disney for BBC Films, based on an earlier draft by Sue Smith. The script, Saving Mr. Banks, landed on the 2011 Black List, and was acquired by Disney.
Marcel was hired in 2012 to adapt E. L. James' bestselling erotic novel Fifty Shades of Grey, with Sam Taylor-Johnson directing, after Universal Pictures and Focus Features won the rights to the Fifty Shades trilogy for $5 million in a bidding war. Though the film was financially successful, grossing $571.1 million worldwide on a $40 million budget and spawning two sequels, both Marcel and Johnson has expressed unhappiness with the finished film, with Marcel describing it as too painful to watch. Of particular issue was James' insistence that the film preserve her original dialogue in its entirety, and threatening to boycott the film if the dialogue was rewritten.
