Zeenat Aman

About Zeenat Aman

Who is it?: Actress, Producer
Birth Day: November 19, 1951
Birth Place:  Bombay, State of Bombay, India, India
Birth Sign: Sagittarius
Alma mater: University of Southern California, Los Angeles
Occupation: Actress, Model
Years active: 1971–1989, 2003–present
Height: 1.75 m (5 ft 9 in)
Title: Femina Miss India Asia Pacific 1970 Miss Asia Pacific 1970
Spouse(s): Mazhar Khan (1985–1998, his death)
Children: 2
Major competition(s): Femina Miss India 1970 (Femina Miss India Asia Pacific 1970) (Miss Photogenic) Miss Asia Pacific 1973 (Winner) (Miss Photogenic)

Zeenat Aman Net Worth

Zeenat Aman was born on November 19, 1951 in  Bombay, State of Bombay, India, India, is Actress, Producer. Zeenat Aman was born to a Hindu mother and a Muslim father Amanullah who was one of the writers for the classic "Mughal-e-Azam", on November 19th, 1951. Zeenat was an only child and her parents divorced when she was a little girl. A graduate of Saint Xavier's school in Bombay. Her father passed away when she was 13. Zeenat won a scholarship to study in California. Upon her return she started working as reporter and was introduced to modeling by friends. Her most prominent ad campaign was the Pond's 7 day to better complexion. Zeenat entered the Miss India contest and was the third runner up, to go to Miss Asia/Pacific a title she later won - being the first Indian to ever win that title (the same title was brought to Indian a second time in 2000 by Diya Mirza).Zeenat was introduced to the movie screen by O.P. Ralhan in Hulchul with Kabir Bedi and later repeated by again by Ralhan in a cameo in Hungama. Both films sunk without trace. Zeenat was the third choice for the junkie 'Janice/Jasbeel' character in Dev Anand's 'Hare Rama Hare Krishna',(1971) opposite himself and the then reigning queen Mumtaz. Upon completion of shooting, Zeenat began packing bags to move to Malta with her mother and German step father (Mr. Heinz) for his job posting. When Dev Anand received feedback on rushes for the film, he insisted that Zeenat and her parents hold off on the move until the film is released and its fate decided, with reluctance they agreed. The film was an instant hit and Zeenat walked away with all the accolades shunning Mumtaz - never before had the Hindi cinema seen a newcomer overshadow the reigning queen. She won the Filmfare Award as Best Supporting Actress. For the first time, the Indian audience accepted a woman who played a 'less than pure' role in a movie.Zeenat went on to revolutionize the Hindi film actress. She was the first Indian actress who refused bouffants, cropped a bob at the height of her career and hardly appeared in saris and bindis and could easily carry off a bikini dress without looking vulgar. She took on roles of the modern urban Indian woman, who made no excuses and took no prisoners. Her characters contemplated abortion to pursue a career (Ajnabee (1974) or dumping a poor lover to pursue a rich man (Roti Kapada Aur Makaan (1974), and still manage to win audience's approval. She pursued Vijay Arora by strumming her guitar singing "Churaliya hai" in the Nasir Hussain's hit film "Yaadon Ki Barat" (1973), fought alongside Amitabh Bachchan as a revenge-seeking action heroine in "Don" (1978). Even though Raj Kapoor's "Satyam Shivam Sundaram" (1977) didn't do well, Zeenat was able to break barriers by kissing her leading man on the mouth for the first time on the Indian screen post-Independence and receiving a Best Actress Filmfare nomination. She received another Filmfare nomination as Best Actress for the controversial hit film "Insaaf Ka Tarazu" (1980) where she played a justice-seeking rape survivor. Dev Anand promoted Zeenat in 70's by signing 7 films with her of which 4 were blockbusters.Rajesh Khanna-Zeenat Aman were paired opposite each-other in 4 films in 1974-84 period and 3 were blockbusters. and Shashi Kapoor-Zeenat gave 7 super-hit films off the 10 they did together. Zeenat began a new trend, helping launch careers for male actors - something Indian actresses never did. She signed Insaf Ka Tarazu with then unknown Raj Babbar and Deepak Prashar, signed films opposite even Mithun, Kanwaljeet Singh (Ashanti) and Tariq Ali (Hum Kissi se Kum Nahin and Yadon Ki Baarat). She had a tumultuous first marriage to Sanjay Khan which ended in divorce. Zeenat had a long string of super successes throughout her career but towards the end of her career she took on mature roles in Bhavani Junction, Haathon ki Lakeerain, Bandhan Kacche Dhagon Ka etc. the movies did average business at the box office as by late 80's cinema shifted its focus to front bench whistlers. At that time Zeenat settled in matrimony with fellow actor Mazhar Khan and gave birth to two sons, turning down multiple film offers. The marriage ended bitterly in divorce, but soon after Mazhar died, and Zeenat's feelings about him in the press were much kinder. Zeenat's contribution to the Indian cinema is definitely recognized though not fully as yet, but in time to come she will definitely be remembered as the first person to introduce a lot to India and add several dimensions to Indian women. In summary "She revolutionized the portrayal of Indian Women" in its cinema.
Zeenat Aman is a member of Actress

💰 Net worth: Under Review

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Biography/Timeline

1951

Zeenat Aman was born in Mumbai in 1951 to Amanullah Khan. Her father, Amanullah Khan, was related to the Bhopal State ruling family. He was a script Writer for such movies as Mughal-e-Azam and Pakeezah. Amanullah Khan often wrote under the nom de plume "Aman", which she later adopted as her second name on screen. He died when Aman was 13. Her mother married a German man called Heinz. Zeenat Aman's mother's name is Scinda (Vardhini) Heinz. Aman's mother obtained German citizenship. She is the cousin of actor Raza Murad and niece of actor Murad.

1966

She did her schooling in Panchgani and went to University of Southern California in Los Angeles for further studies on student aid, but she could not complete her graduation. Upon her return to India, she first took up a job as a Journalist for Femina and then moved on to modeling. One of the first few brands that she modeled for was Taj Mahal Tea in 1966. She was the second runner-up in the Miss India Contest and went on to win the Miss Asia Pacific in 1970.

1970

She appeared on every Hindi film magazine's cover during the 1970s. In December 1974, Cine Blitz magazine was launched with Zeenat Aman on its cover, a testimony to her popularity at the time.

1971

Dev Anand offered Zaheeda (his second heroine in Prem Pujari) the role of his sister in Hare Rama Hare Krishna (1971). Not realizing the importance of this secondary role, Zaheeda wanted the lead female part (eventually played by Mumtaz) and she opted out. Zeenat Aman was chosen as a last-minute replacement.

1973

Her hip looks in Yaadon Ki Baaraat (1973) as the girl carrying a guitar, singing Churaliya hai tumne jo dil ko (in Asha Bhosle's voice) has won her more popularity and the hearts of millions of fans.

1978

Aman's entry into Hollywood also backfired when Krishna Shah Shalimar (1978), co-starring Dharmendra and international names like Rex Harrison, John Saxon and Sylvia Miles, proved to be a failure in the United States and in India. Aman possessed a convent schoolgirl accent and a penchant for revealing dresses. 1978 could have been a disaster year for her, because of the diminishing box office returns of Shalimar and discouraging critical reviews of Satyam Shivam Sundaram but Aman had other successful commercial films during that year such as Heeralal Pannalal and Chor Ke Ghar Chor, yet it was Don that came to the rescue with its success. Ironically, her reasons for accepting the role in Don were altruistic and she didn't even take any remuneration for it because she wanted to help the Producer Nariman Irani who died midway through filming. Her role of a Westernized revenge-seeking action heroine contributed to the film's huge success and her fans reconnected with her. Westernized heroines such as Parveen Babi and Tina Munim now followed in her footsteps by the late 1970s. Aman continued to act in hits such as Dharam Veer, Chhailla Babu and The Great Gambler.

1980

By the beginning of the 1980s, multi-starrer films became a trend and Zeenat Aman was increasingly asked to just provide sex appeal in hero-oriented films, despite success in so many films. In contrast to this trend was her performance as a rape victim seeking justice in B. R. Chopra's Insaaf Ka Tarazu (1980), for which she received a Filmfare Best Actress nomination. This film was followed by success in the love triangle Qurbani (1980 film), Alibaba Aur 40 Chor, Dostana (1980) and Lawaaris (1981). Her last role as the female lead was in the movie Gawahi, a courtroom drama in 1989.

1999

Aman came back to the silver screen after a decade doing a cameo role in the film Bhopal Express (1999).

2003

Aman went on to do roles in Boom (2003), Jaana... Let's Fall in Love (2006), Chaurahen (2007), Ugly Aur Pagli (2008), Geeta in Paradise (2009), Dunno Y... Na Jaane Kyon (2010) and Strings of Passion (2012).

2004

In 2004, she appeared as Mrs. Robinson in the play The Graduate staged at St Andrew's auditorium in Mumbai. Zeenat Aman had a TV show called In Conversation with Zeenat made by B4U TV and also made an appearance along with Hema Malini in the popular show Koffee with Karan hosted by Karan Johar.

2008

She received a Lifetime Achievement Award during the Zee Cine Awards function in 2008 as a recognition of her contribution to Hindi Cinema. She also received An Outstanding Contribution to Indian Cinema award at IIFA awards 2010 held at Colombo, Sri Lanka. She dedicated this award to her mother.

2013

Zeenat Aman's persona was a contrast to many of the more conservative stars of the era. At a time when heroines were obedient wives and lovers on the screens of Hindi Cinema, Aman was drawn to more unconventional roles – she was cast as the opportunist who deserts her jobless lover for a millionaire (Roti Kapda Aur Makaan), the ambitious girl who considers having an abortion in order to pursue a career (Ajnabee), the happy hooker (Manoranjan), the disenchanted hippie (Hare Rama Hare Krishna), the girl who falls in love with her mother's one-time lover (Prem Shastra) and a woman married to a caustic cripple, but involved in an extramarital relationship (Dhund). She managed to balance these roles with acting in more conventional films such as Chori Mera Kaam, Chhailla Babu, Dostana and Lawaaris, which is considered by many to be a landmark in Indian Cinema. Encyclopædia Britannica's "Encyclopedia of Hindi Cinema" wrote: "Zeenat Aman had a definite impact on the characterization of the heroine in Hindi films. With films such as Hare Rama Hare Krishna and Yaadon Ki Baraat, she fashioned the image of the youthful and westernized woman in Hindi cinema."