Lee J. Cobb was born on December 08, 1911 in New York City, New York, United States, is Actor, Director, Soundtrack. Lee J. Cobb, one of the premier character actors in American film for three decades in the post-World War II period, was born Leo Jacoby in New York City's Lower East Side on December 8, 1911. The son of a Jewish newspaper editor, young Leo was a child prodigy in music, mastering the violin and the harmonica. Any hopes of a career as a violin virtuoso were dashed when he broke his wrist, but his talent on the harmonica may have brought him his first professional success. At the age of 16 or 17 he ran away from home to Hollywood to try to break into motion pictures as an actor. He reportedly made his film debut as a member of Borrah Minevitch and His Harmonica Rascals (their first known movie appearance was in the 1929 two-reeler Boyhood Days), but that cannot be substantiated. However, it's known that after Leo was unable to find work he returned to New York City, where he attended City College of New York at night to study accounting while acting in radio dramas during the day.An older Cobb tried his luck in California once more, making his debut as a professional stage actor at the Pasadena Playhouse in 1931. After again returning to his native New York, he made his Broadway debut as a saloonkeeper in a dramatization of Fyodor Dostoevsky's Crime and Punishment, but it closed after 15 performances (later in his career, Dostoevsky would prove more of a charm, with Cobb's role as Father Karamazov in The Brothers Karamazov (1958) garnering him his second Oscar nomination),Cobb joined the politically progressive Group Theater in 1935 and made a name for himself in Clifford Odets' politically liberal dramas Waiting for Lefty and Til the Day I Die, appearing in both plays that year in casts that included Elia Kazan, who later became famous as a film director. Cobb also appeared in the 1937 Group Theater production of Odets' Golden Boy, playing the role of Mr. Carp, in a cast that also included Kazan, Julius Garfinkle (later better known under his stage name of John Garfield), and Martin Ritt, all of whom later came under the scrutiny of the House Un-American Activities Committee during the heyday of the McCarthy Red Scare hysteria more than a decade later. Cobb took over the role of Mr. Bonaparte, the protagonist's father, in the 1939 film version of the play, despite the fact that he was not yet 30 years old. The role of a patriarch suited him, and he'd play many more in his film career.It was as a different kind of patriarch that he scored his greatest success. Cobb achieved immortality by giving life to the character of Willy Loman in the original 1949 Broadway production of Arthur Miller's Death of a Salesman. His performance was a towering achievement that ranks with such performances as Edwin Booth as Richard III and John Barrymore as Hamlet in the annals of the American theater. Cobb later won an Emmy nomination as Willy when he played the role in a made-for-TV movie of the play (Death of a Salesman (1966)). Miller said that he wrote the role with Cobb in mind.Before triumphing as Miller's Salesman, Cobb had appeared on Broadway only a handful of times in the 1940s, including in Ernest Hemingway's The Fifth Column (1940), Odets' "Clash by Night" (1942) and the US Army Air Force's Winged Victory (1943-44). Later he reprised the role of Joe Bonaparte's father in the 1952 revival of Golden Boy opposite Garfield as his son, and appeared the following year in The Emperor's Clothes. His final Broadway appearance was as King Lear in the Repertory Theatre of Lincoln Center's 1968 production of Shakespeare's play.Aside from his possible late 1920s movie debut and his 1934 appearance in the western The Vanishing Shadow (1934), Cobb's film career proper began in 1937 with the westerns North of the Rio Grande (1937) (in which he was billed as Lee Colt) and Rustlers' Valley (1937) and spanned nearly 40 years until his death. After a hiatus while serving in the Army Air Force during World War II, Cobb's movie career resumed in 1946. He continued to play major supporting roles in prestigious A-list pictures. His movie career reached its artistic peak in the 1950s, when he was twice nominated for Best Supporting Actor Academy Awards, for his role as Johnny Friendly in On the Waterfront (1954) and as the father in The Brothers Karamazov (1958). Other memorable supporting roles in the 1950s included the sagacious Judge Bernstein in The Man in the Gray Flannel Suit (1956), as the probing psychiatrist Dr. Luther in The Three Faces of Eve (1957) and as the volatile Juror #3 in 12 Angry Men (1957).It was in the 1950s that Cobb achieved the sort of fame that most artists dreaded: he was called before the House Un-American Activities Committee on charges that he was or had been a Communist. The charges were rooted in Cobb's membership in the Group Theater in the 1930s. Other Group Theater members already investigated by HUAC included Clifford Odets and Elia Kazan, both of whom provided friendly testimony before the committee, and John Garfield, who did not.Cobb's own persecution by HUAC had already caused a nervous breakdown in his wife, and he decided to appear as a friendly witness in order to preserve her sanity and his career, by bringing the inquisition to a halt. Appearing before the committee in 1953, he named names and thus saved his career. Ironically, he would win his first Oscar nomination in On the Waterfront (1954) directed and written by fellow HUAC informers Kazan and Budd Schulberg. The film can be seen as a stalwart defense of informing, as epitomized by the character Terry Malloy's testimony before a Congressional committee investigating racketeering on the waterfront.Major films in which Cobb appeared after reaching his career plateau include Otto Preminger's adaptation of Leon Uris' ode to the birth of Israel, Exodus (1960); the Cinerama spectacle How the West Was Won (1962); the James Coburn spy spoofs, Our Man Flint (1966) and In Like Flint (1967); Clint Eastwood's first detective film, Coogan's Bluff (1968); and legendary director William Wyler's last film, The Liberation of L.B. Jones (1970).In addition to his frequent supporting roles in film, Cobb often appeared on television. He played Judge Henry Garth on The Virginian (1962) from 1962-66 and also had a regular role as the attorney David Barrett on The Young Lawyers (1969) from 1970-71. Cobb also appeared in made-for-TV movies and made frequent guest appearances on other TV shows. His last major Hollywood movie role was that of police detective Lt. Kinderman in The Exorcist (1973).Lee J. Cobb died of a heart attack in Woodland Hills, California, on February 11, 1976, at the age of 64. He is buried in Mount Sinai Memorial Park Cemetery in Los Angeles, California. Though he will long be remembered for many of his successful supporting performances in the movies, it is as the stage's first Willy Loman in which he achieved immortality as an actor. Bearing in mind that the role was written for him, it is through Willy that he will continue to have an influence on American drama far into the future, for as long as Death of a Salesman is revived.
Lee J. Cobb is a member of Actor
Lee J. Cobb Net worth: $16 Million
When the facilities of the government of the United States are drawn on an individual it can be terrifying. The blacklist is just the opening gambit—being deprived of work. Your passport is confiscated. That's minor. But not being able to move without being tailed is something else. After a certain point it grows to implied as well as articulated threats, and people succumb. My wife did, and she was institutionalized. The HUAC did a deal with me. I was pretty much worn down. I had no money. I couldn't borrow. I had the expenses of taking care of the children. Why am I subjecting my loved ones to this? If it's worth dying for, and I am just as idealistic as the next fellow. But I decided it wasn't worth dying for, and if this gesture was the way of getting out of the penitentiary I'd do it. I had to be employable again.
- — Interview with Victor Navasky for the 1980 book Naming Names
Cobb entered films in the 1930s, successfully playing middle-aged and even older characters while he was still a youth. He was cast as the Kralahome in the 1946 non musical film Anna and the King of Siam. He also played the sympathetic Doctor in The Song of Bernadette and appeared as Derek Flint's (James Coburn) supervisor in the James Bond spy spoofs In Like Flint and Our Man Flint. He reprised his role of Willy Loman in the 1966 CBS television adaptation of the famous play Death of a Salesman, which included Gene Wilder, James Farentino, Bernie Kopell, and George Segal. Cobb was nominated for an Emmy Award for the performance. Mildred Dunnock, who had co starred in both the original stage version and the 1951 film version, again repeated her role as Linda, Willy's devoted wife.
Cobb was born in New York City, to a Jewish family of Russian and Romanian extraction. He grew up in the Bronx, New York, on Wilkins Avenue, near Crotona Park. His parents were Benjamin (Benzion) Jacob, a compositor for a foreign-language newspaper, and Kate (Neilecht). Cobb studied at New York University before making his film debut in The Vanishing Shadow (1934). He joined the Manhattan-based Group Theatre in 1935.
Cobb performed summer stock with the Group Theatre in 1936, when they summered at Pine Brook Country Club in Nichols, Connecticut. During World War II, Cobb served in the First Motion Picture Unit of the United States Army Air Forces.
Lee J. Cobb's wife from 1940 to the 1950s was Yiddish theater and film Actress Helen Beverley (1916—2011). They had a daughter together, Julie Cobb.
Cobb was accused of being a Communist in 1951 testimony before the House Un-American Activities Committee (HUAC) of the U.S. House of Representatives of the Congress, by Larry Parks, himself an admitted former Communist Party member. Cobb was called to testify before HUAC, but refused to do so for two years until, with his career threatened by the blacklist, he relented in 1953 and gave testimony in which he named 20 people as former members of the Communist Party USA.
Following the hearing, he resumed his career and worked with Elia Kazan and Budd Schulberg, two other HUAC "friendly witnesses", on the 1954 film On the Waterfront, which is widely seen as an allegory and apologia for testifying.
In August 1955, while filming The Houston Story, Cobb suffered a heart attack and was replaced by Gene Barry.
In 1957, he appeared in Sidney Lumet's 12 Angry Men, the unique trial jury deliberations drama, as the abrasive Juror #3. In 1959, on CBS' DuPont Show of the Month, he starred in the dual roles of Miguel de Cervantes and Don Quixote in the play I, Don Quixote, which years later became the musical Man of La Mancha. Cobb also appeared as the Medicine Bow, Wyoming owner of the Shiloh Ranch, Judge Henry Garth in the first four seasons (1962–1966), of the long-running NBC Western television series The Virginian (1962–1971).
In 1968, his performance as King Lear with Stacy Keach as Edmund, René Auberjonois as the Fool, and Philip Bosco as Kent achieved the longest run (72 performances) for the play in Broadway history.
One of his final film roles was that of Washington, D.C. Metropolitan Police homicide detective Lt. Kinderman in the 1973 horror film The Exorcist about a demonic possession of a teen-age girl (Linda Blair) in Georgetown, D. C.
Cobb died of a heart attack in February 1976 in Woodland Hills, California, and was buried in Mount Sinai Memorial Park Cemetery in Los Angeles. He was survived by his second wife, Mary Hirsch. His death came the day before his Exodus (1960) co star Sal Mineo was murdered.
He was inducted, posthumously, into the American Theatre Hall of Fame in 1981.